That's not an issue with shake reduction or upright, which affect the entire image. In Mix, the biggest drawback is waiting for the roundtrip processing from the cloud to find out if you've make a selection mistake. Lori Grunin/CNETįinally, content-aware fill, another feature that I find hit and miss, works fairly well if the photo is just right there needs to be a lot of similarity in the region surrounding the blighted area or it overblurs or introduces contamination. Upright works well, but it doesn't automatically crop to the remaining image area. There's also more traditional masking option which lets you choose a selection brush size. When you send the composition to Photoshop, it sends it as the full-resolution image plus a layer mask which you can further refine. Smart selection includes the ability to feather the edges and invert the selection, coupled with the added power of Refine Edges.
It does work best with contiguous areas once you lift your finger it applies the mask and you can't see any other areas to select. With Smart selection you run your finger over the area you want to keep and it masks out the rest. The implementation looks and feels more like desktop Photoshop's Quick Selection tool than the scribble in/out method used by Photoshop Touch.
You can also apply preset adjustments - called "Looks" - which range from standard punch-ups like vivid and brighten to vaguer options like "instant" and "sweet." Lori Grunin/CNETĬut out generally works very well, which is unsurprising since Adobe's had so long to work on it. You can generally work around a lack of direct support by saving to the Camera Roll. One surprising omission - especially given that a former Adobe executive, key to its Photoshop and mobile product strategies, is now working on imaging at Google - is a lack of support for Google Drive or Google+ photos. The latter comes in exchange for giving up your friend list, and I suppose Adobe deserves credit for telling you that, at least. Your source options are from your iPad photos snapping a photo using the iPad's camera accessing your Creative Cloud files retrieving an image from your Lightroom mobile catalog (if you have one) or pulling photos from your personal Facebook account. To begin, you initiate a new composition. It's based on Compositions, an indicator of its slant toward compositing (collages) rather than straight retouching the company is increasingly pushing folks toward Lightroom for more photographic-related endeavors. Mix's capabilities are both more basic and more sophisticated than Touch's. Adobe squeezes Lightroom into the iPhone.Adobe's Ink and Slide: A great stylus plus a solid pair of apps.Cloud computing gives Adobe mobile apps a power boost.
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